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  • Dr. Robert T. Morris: Fifty Years a Surgeon
    A clear window into many important and interesting areas of life in general - as well as medicine - in the mid-19th to early 20th century. Warts and all. Good read. (***)
  • Christopher Landon: Ice Cold in Alex

    Christopher Landon: Ice Cold in Alex
    Interesting and well developed characters, in genuinely tension inducing situations - even when the matter of "who did it" is not really a mystery. Vivid enough for the place and period - WW2 North Africa to early 1950s Britain - to come to life inside your mind. (***)

  • Karl Von Clausewitz: On War

    Karl Von Clausewitz: On War
    I read this first many years ago. The author then impressed me as being more lucid and broadly learned than many contemporary writers on this and similar areas. He still does. (****)

  • Loren Lomasky: Person's, Rights, and the Moral Community

    Loren Lomasky: Person's, Rights, and the Moral Community
    Well written, and clear. Many interesting ideas and explications of problems, but his theory itself - on a derivation of rights, seems possessed of unnecessary elements. Worth reading. (***)

  • J. B.Schneewind: Sidgwick's Ethics and Victorian Moral PhilosophyVictorian Moral Philosophy
    Details life and analyses work of one of the great figures in 19th century philosophy. Well written, gives good insight into the context of attitudes, assumptions, and circumstances affecting much of the intellectual spirit and life of Britain during those times. (***)
  • J.G.Ballard: The Drowned World

    J.G.Ballard: The Drowned World
    Another (long-time) re-read. Ballard tends to play one note - but it's a good one - and he plays it VERY well. Some uncontrolled/unforeseen calamity engulfs the world. Protagonist(s) confront general realization of the coldly impersonal nature of the world and how human responses are to a large extent a product of the interaction of those forces with his/there-own biological pre-dispositions - engraved in the structure of each and every one of their cells. And, that the true and only expression of one's authentic self and humanity, lies in how and whether one can/does inwardly accept the truth of these constraints, and expresses that realization, in those (few) opportunities available for actual personal choice. Intentionally or not his work gives powerful and poetic expression to the Existentialist perspective. The world of this novel happens to be slowly drowning in the over-heated flood-tides that result from a run-away solar anomaly. But, it could be just about any such occurrence - e.g. A "Wind From Nowhere," or the Japanese invasion of Shanghai (both of which served as the backgrounds of others among his novels). The story-line, character-types, dilemmas, decisions, and general moods are much the same in each story, but the pacing, poetry, intensity, and aggravating authenticity of the characterizations in each instance are gripping enough to make every reading worthwhile. (***)

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21 July 2006

Yes, But what does it mean?

Red_State_Blue


Reflections on a House Divided

Yes, But what does it mean?

12ask1slide21

Times

(click to see photo full-size)

Joao Silva for The New YorkTimes

"A sniper loyal to Shiite cleric Moqtada al Sadr fires towards U.S. positions in the cemetery in Najaf, Iraq.

Michele McNally: "Right there with the Mahdi army. Incredible courage." "

Yes, But what does it mean?

It means that - in spite of the bad moves and disappointments of the last few years - that there are still distinctions within  the American  political landscape that are clear, real and vital. To wit - there are those who feel on a gut level that the picture in question represents all that is amoral, disloyal, selfish, thoughtless, and plainly vile about the culture of contemporary Journalism, as well as those who teach and support it. And then, there are those who think that - its just a good picture with an articulate and sensitive caption - which together express the state of carefully nuanced clarity, cultural relativism, internationalism, and neutral-point-of-view which they believe to epitomize the highest standards of Western Humanistic Culture.

And, most of those who hold the former view are, and largely vote for, Republicans. And,most who hold the latter are, and largely vote for, Democrats.

And that distinction can't help but make a significant difference in how the country deals with its most basic issues.

Please remember that when you think of who you're going to vote for in November - or whether or not you'll just stay home.

(C) David Aronin 2006

Trakbacks of the day:

Woman Honor Thyself
The Blue State Conservatives
Blue Star Chronicles
Don Surber

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Comments

I wasn'tnable to immediately locate the image you discussed within the NYT. I've now found it, nestled well within a long column McNally wrote answering readers' questions about how the NYT photographers work, whether they work on contract, what legal restrictions they have at certain sites, advice for aspiring
photographers, and sundry other "ask the photo editor" Qs and As. Seeing it, completely clear to me that her comment, "Right there with the Mahdi army. Incredible courage," referred to photographer Joao Silva's proximity to
the sniper. The picture was presented with a number of others in answer to a reader's question about selecting pictures that to her were "most memorable." She was writing about how she selects photographs that are powerful in both concept and form. That image certainly isn't one most willl soon forget. Just what is it you think it says about the culture of contemporary journalism??

DBA: (emphasis by mauve 1) .."the PICTURE in question represents all that is amoral, disloyal, selfish, thoughtless, and plainly vile about the culture of contemporary Journalism."

I don't think the PICTURE represents that at all. What the PICTURE shows (if we assume that news organization presentations of "news images" are digitally unaltered unless otherwise labeled), is a man training a weapon on something outside.

The picture derives its meaning from the context we find it in and any additional information provided with it, if we assume that's credible, as well as our own knowledge of and perspective on world events.

Are you saying, by implication, that this picture should never have been taken at all? Or if taken, never printed? If so, why?

Are you saying the caption should have been more like "An amoral, disloyal, selfish, thoughtless, and plainly vile sniper loyal to Shiite cleric Moqtada al Sadr fires towards U.S. positions in the cemetery in Najaf, Iraq" ?.

Or, "Despite the actions of amoral, disloyal, selfish, thoughtless, and plainly vile snipers loyal to Shiite cleric Moqtada al Sadr, forces of the U.S. and Iraqui governments are winning the battle to eradicate the insurgents and bring democracy to Iraq?

Are you saying that in a time of war, all photo captions of the actions of war should clearly allude to the President's objectives in fighting this war?

Or, are you saying Michele McNally's: "Right there with the Mahdi army. Incredible courage" automatically assumes she is much more sympathetic to the snipers' cause than our own government's? Why is that? A deluded
and gravely mistaken man could act courageously in a dangerous situation.
"Courage" could be shown by anyone knowlingly risking their life, whether fighting a war, or going over Niagara in a barrel, or spinning a gun barrel while it's pointed at their head and taking a chance on pulling the trigger. You don't necessarily have to be smart, right, or sane to be "courageous."

And, do you think that because McNally said that, whatever she did mean by it, innocents will be swayed? Might not those who interpreted her comments as support for the country's enemy have their resolve galvanized to the extreme in the opposite direction? She may have shot herself in both feet.

Nice read!..I got the tb and u are on the site now..thanks! :)

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